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Greta Fahlcrantz-Lindberg, Portrait of Märtha Gahn, 1920. Photo: Erik Cornelius/Nationalmuseum.

Swedish Grace opens at Nationalmuseum 24 February

This spring’s exhibition, Swedish Grace, presents art, design, film and fashion from the 1920s. It is a period of transition that laid the foundations of modern society and an era full of tensions across the artistic spectrum.

Théodore Rousseau, A Pond in the Forest. La Mare aux Evées, Forest of Fontainebleau, 1840s. Photo: Cecilia Heisser.

Nationalmuseum acquires Rousseau landscape

Nationalmuseum has acquired a landscape painting of the Forest of Fontainebleau by Théodore Rousseau, believed to date from the 1840s. Rousseau was one of the most headstrong and innovative members of the French school of artists who took their name from the village of Barbizon and are considered the forerunners of the Impressionists.

Gold box à deux couleurs with portrait of Gustav III, c.1778. Photo: Sotheby’s.

Gold box with portrait of Gustav III acquired

Nationalmuseum has acquired a unique gold box bearing a portrait by the court enameller, Johan Georg Henrichsen, of King Gustav III. Very few such tokens of royal favour have survived intact, which is what makes this gold box unique.

Clarence Sinclair Bull, Greta Garbo, from the exhibition Swedish Grace. Alice Nordin, A Memory, from the exhibition What joy to be a sculptor. Photo: Nationalmuseum.

Exhibitions at Nationalmuseum in 2022

The 2022 exhibition programme at Nationalmuseum offers a mix of older art, design, applied art, sculpture and photography.

Julia Beck, Autumn Day, 1883. Oil on canvas. Photo: Anna Danielsson/Nationalmuseum.

Nationalmuseum acquires painting by Julia Beck

Nationalmuseum has acquired a key work by Julia Beck, the 1883 painting Autumn Day. After a long period of obscurity, Beck has made a comeback in recent years and is now one of the most popular Swedish artists from the late 19th century.

Detail from table by Uno Åhrén. Photo: Viktor Fordell/Nationalmuseum.

Nationalmuseum acquires furniture by Uno Åhrén

Nationalmuseum has recently acquired a table and a tall floor screen from a pewter furniture set designed by the architect Uno Åhrén. The pieces are the largest and most spectacular ever produced by Svenskt Tenn and can now be seen in the Scandinavian Design & USA exhibition opening on 14 October.

Lillian Holm, First Sight of New York, 1930’s (cropped image). Photo: Flint Institute of Arts.

Scandinavian Design & USA opens at Nationalmuseum on 14 October

The exhibition Scandinavian Design & USA examines how concepts and design from the Nordic countries influenced and shaped modern American design, and conversely how influences from the United States have influenced Nordic design. It is an international collaboration between the Los Angeles County Museum of Art, the Milwaukee Art Museum, Nationalmuseum and Nasjonalmuseet in Oslo.

Jewellery box and chocolate serving pot in silver by Petter Henning. Photo: Uppsala Auktionskammare.

Swedish silver donated to Nationalmuseum

Nationalmuseum has added two unique silver artefacts from 1715 to its collection. The acquisition of the pieces was made possible by a generous financial donation from Märta Christina and Magnus Vahlquist through the Friends of Nationalmuseum.

Louis Masreliez: An Allegory of War, c.1790–92. Photo: Christie’s Images Ltd. 2021.

New acquisition: An Allegory of War by Louis Masreliez

Nationalmuseum has acquired An Allegory of War, a painting by Louis Masreliez originally intended to be one of two overdoor pieces for King Gustav III’s bedchamber in the royal palace in Stockholm.

Francesco da Volterra, Santa Pudenziana, Cappella Caetani, 1591. Anna Bortolozzi, associate professor of art history at Stockholm University. Photo: Cecilia Heisser/Nationalmuseum.

Italian architectural drawings: research brings new discoveries

A collection of Italian architectural drawings held by Nationalmuseum was the subject of a recently completed research project. Anna Bortolozzi, associate professor of art history at Stockholm University, made a detailed study of the collection, which was once owned by the architect Carl Johan Cronstedt.

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